Holy hell, Quirkee is sending me to South By Southwest Music Fest - a responsibility I welcome with the noblest intentions and the loftiest of goals. If I can't actually convince a band to give me a leg up on a stage for a guest solo (in which case I plan to have the lead singer hold my camera and take pictures of me rocking out with the gang) I'll certainly do everything I can to nudge, charm, connive, and elbow my way to the front of the crowds for the most in-your-face commentary and perspiration-splotched photographs. These crowds will be largely out-of-towners, anyway. I don't mind stepping on a few designer shoes and sinking a few elbows into rib cages - my own version of a good old-fashioned Texas welcome - to get what I want.
Besides my ruthlessness, I'm fairly certain I qualified for this responsibility based on my own awe-inspiring musical career. For those of you who somehow hadn't heard, in college, I was, of course, the musical director for an all-female a cappella group. That's right. Boy, did we rock. We did a rendition of "Travelin' Soldier" that would make the Dixie Chicks cry. In a good way.
So even though South by Southwest neglected to send me an invitation to
perform this year (or any previous year), I look upon my comp-ed
wristband as a knowing and confidential nod to my very illustrious
reputation on the music scene.
In any case, I've never been to this particular world-famous music
festival, only looked on longingly whilst distractedly dodging
pedestrians on my commute downtown this time of year (and really, no
one has business stepping out in front of my car - crosswalk or no -
when I'm on the look-out for Pinetop Perkins). So in all truthfulness,
this is my maiden voyage for SXSW. But music festivals in general? Oh,
honey.
A rookie I am not, and good thing, because a five-day festival is not for rookies. Thus, I have a plan.
First things first. In a focused attempt to counteract the
inevitable boozing, let the hydrating and caffeinating begin. Since I
work daytime, I intend to chug water all morning Wednesday through
Friday, (while I'm actually in close proximity to the Ladies' Room -
wonder of wonders), stretch out the ol' bladder (I refuse to pee if
there's a good band playing. Let my bladder burst, I say!), then start
sipping Red Bull at approximately 3 o'clock. I'll vibrate my way to the
fest at the stroke of 5p. I've already decided not to attempt parking
downtown; Instead, I'll keep the faithful Hyundai in my office
building's parking garage and scamper back the 15-20 blocks after, oh,
8 or 9 hours of non-stop standing and drinking. I think it's a good
plan. I do hate parallel parking.
I'll also change from my hospital scrubs - which don't scream "Let's
Party!" like you might think - into my makeshift hipster outfit, so I
can arrive incognito with all those trendy out-of-towners. I'll exhale
deeply and squeeze into my skinniest jeans. I recently purchased a $5
pair of dark sunglasses, which I'll wear long after sundown. And then
I'll find something black and chic to compliment my pasty pale
complexion. I look radiant in black. Like Casper in a nuclear winter.
Another essential part of my plan: Flask. My goodness, I've never
understood why more people don't do this. My last music festival was
Austin City Limits this past fall, to which I limped a good half mile
with a flask lashed to my thigh by an unforgiving rubber band
approximately the size of a Cheerio. I lost all feeling in my lower leg
and had to walk like a man to prevent chafing (I tried to do this in
character: "Some girls walk like guys, Laura. You're just a girl who
walks like a guy.") - but it was worth it. I proved a point. Saving
twenty bucks on booze is worth the risk of limb-loss. I'm not above
doing it again.
(Since ACL was for hippies and SXSW is for hipsters, I'll have to
figure out where to lash the flask with this new costume arrangement.
No flowy skirts this time. Maybe I'm just a girl with a suspicious
bulge in her skinny jeans? Who walks like a man?)
But what about the music, you ask? Logistically speaking, I'm going
to plot this thing out like Kasparov against Deep Blue, like a master
Donkey Kong gamer against the barrel rolls in Screen 20. We're talking Beautiful Mind grease
pencil diagrams on my windows, graphs and carbon copies and ink tattoos
down my forearms. I'll have contingency plans for contingency plans,
and then back-up plans for those.
Oh, this festival will not get the best of me. My last car salesman has already done that. This time, it's my turn.
And finally - and this is really the take-home message - I'll ask strangers for advice.
It's the ultimate wild card, but it can take things to a whole new level.
Me? I love music. I wouldn't want to live in a world without it. I am
fanatic about some bands, positively awestruck by others. But some
people out there are, in a word, freaks about their band of choice.
Those are the people I want to find.
Fortuitously, my comp-ed wristband is only for one. I love this. I love
going to festivals alone, because I can guiltlessly pursue my own
half-buzzed sociological leads straight through to all their zany
possibilities. And more importantly, hear some really fantastic
outside-the-box bands that I'd be far too vanilla to discover on my
own.
Last time I went to a music festival alone, it was my very first ACL
here in Austin, September 2005. At the urging of strangers, I was
compelled to share their blanket for The Black Crowes' headliner act...
next to a trio of guys who did tearful interpretive dance the whole
time. (And who were very generous with their beer, bless their hearts.
Don't worry, Mom, it was unopened.) And the band - who I'd been ready
to forego for Lyle Lovett, foolish me - tore our faces off, smoothed
them back on and then tore them off all over again. I love Lyle, but I
don't think he rips face like Chris Robinson.
Incidentally, me and the trio all ended up down in a dry creek bed, at sunrise, in a drumming circle. Welcome to Austin.
From South by Southwest, I expect similar greatness. I'll do my best to make you proud.
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